An agent is one of those things you’re supposed to really want when you’re a writer.
Sort of like good ideas and chocolate.
An agent is supposed to turn pumpkins into stagecoaches and matchmake all sorts of happily ever afters.
Right?
I was never quite sure.
I worked with an agent briefly for my first book, but I’ve mostly been on my own these last number of years and it’s worked out okay. I’ve somehow wrangled myself into my chair (thanks to some good ideas and chocolate) and I have a pretty substantial little stack of manuscripts to show for it.
(Well, I mean, they’re picture books so I use the word "substantial" rather loosely. It’s not a tower or anything like that. More like a short, squat butte.)
Along the way, I pulled a few bits of the butte loose and, lucky for me, a delightful and insightful editor was there to receive them. I had to do my own dealmaking, which is about as appealing as a bad case of the flu, but I survived.
In the meantime, the rest of the pile on my desk had become rather, um, inert.
And the thing about inert rock, er, paper formations is they tend to stay that way for millions of years.
Which I more time than I’ve got.
Which is why I’m very, very happy and relieved and excited and ready to share the fact that I have signed with the amazingly warm, smart, productive and funny Erin Murphy.
Apparently, Erin does not get flu-like symptoms when she dealmakes!
Apparently, Erin does not get daunted by short, squat buttes of the inert variety!
Apparently, Erin is a fairy godmother!
Well, okay, maybe she doesn’t turn pumpkins into stagecoaches.
But she did say this in an interview I read:
I only sign someone new if it makes my stomach hurt to think of them working with someone else. Their work has to be so wonderful and so unlike anything else I’ve ever read that I just can’t pass it up.
Which does make me feel a little like a princess.
Thanks, Erin!
(And now I have to get back to the part of the work that is still, and always will be, mine…)