Poetry Project — May 2025

Whoa, boy. If there is a form of poetry that takes your hand and leads you off the garden path completely, it’s the Golden Shovel. In case you need a refresher, here’s how one works:

First, you choose a line from a poem you admire or want to tip your hat to. In this case, my poetry sisters and I agreed to pluck something from Elizabeth Bishop’s Letter to NY, which is such a fine, fine poem that basically begs to be read aloud. The line I chose was “and the meter glares like a moral owl” because of the owl, yes, but in particular the moral owl, because what a beautiful, curious, steamy little phrase to tuck into this conversational list of city comings and goings.

OK, next, you use each word in the borrowed line as the endpoints for the lines that will make up a new poem of your own. Practically, this just means writing the Elizabeth Bishop line vertically, one word at a time, down the right hand side of the paper, and writing to those words.

Now, see my note above regarding the garden path! There is something about having to write to what feel like random floating words on the outside edge of the paper that just removes control completely. It’s kind of a trip. Thanks for reading along to see where I landed.

Oh, PS — I used another partial line from Bishop’s poem as my title. Just for kicks.

 

Loud but Somehow Dim
A Golden Shovel after Elizabeth Bishop’s Letter to NY
Liz Garton Scanlon

I tick off my worst qualities, start with “lack of confidence” and
“wasting time”. (The list capitalizes on both of these.) The
list measures me against myself, operates as a meter

keeping count without context or clemency. The list glares
at me with ballpointed fury, like I should do better, like
my lack of imagination is the problem. Like a list (a

list like this) should have footnotes and moral
arguments, like I should play badger. Or snake. Or owl.

 

Read all the others here:
Sara
Laura
Tricia
Tanita
Mary Lee

And enjoy Poetry Friday at Karen Edmisten’s blog today!

Haiku 30 — April 30, 2025

And just like that, April’s a wrap. Thanks for joining me, friends, whether you read along or wrote a few haiku yourselves. Each year, even as I have to scratch my lines out last minute at bedtime, even as I press enter on a real clunker or two, I’m grateful for the practice, and for the reminder that magic is everywhere I’m willing to notice it.

I have to admit that this year there were days that magic felt like quite a stretch. There is so much noise and cruelty and recklessness at play. So much dismantling of what we know is good and right and true. So much that feels disheartening and disempowering.

So. We resist that. We try ever harder. We listen, we reach out, we stand up, we insist, we promise, we embrace, we witness, we write. It’s what we do.

Haiku 30
April 30, 2025

Please pay attention
to this most expressive plant:
She talks with her hands

 

 

#lizsharespoems
#30daysofhaiku
#NationalPoetryMonth

Haiku 27 — April 27, 2025

Look at this little slip of a thing who joined me on my stroll around the neighborhood today (until she turned around and trotted home). It was just after I’d been introduced to the sweetest old Chesapeake Bay retriever with rheumy eyes, and right before I met a woman pressing seaglass into wet concrete to make a stepping stone. I love the things people and their pets get up to.

Haiku 27
April 27, 2025

A cat joined my walk
Like a parenthetical
(and made it mean more)

 

#lizsharespoems
#30daysofhaiku
#NationalPoetryMonth

Poetry Project — April, 2025

This month we used vintage photographs as our jumping off point for writing ekphrastic poems. There were no other rules at all, except that we are using this overarching (underlying?) theme of conversation this year.

My photograph is one my maternal grandfather took of me as a toddler. I’m walking on the beach, alongside Lake Michigan, and he’s up on the bank. Some other adult — probably my mother — is surely just out of the frame, but you’d never know it. I’d never know it.

When I look at this photograph I think, I always knew how to be alone.

My poem, a villanelle, became a conversation between me and my child-self, obviously. But also, maybe, between me and my grandfather. I’m grateful to him for capturing this. For capturing me.

(PS this is still a draft but it’s been A WEEK, and it’s Friday already, so I’ll post what I’ve got and life goes on…)

The Little Girl We See
By Liz Garton Scanlon

She doesn’t know yet who she’ll be
The clock is started, limbs mid-stride
The little girl we see is me

Loved and unguarded equally
A certain dreaminess abides
She doesn’t know yet who she’ll be

Made precious here, by lens and tree
(Though we all know the frame is wide)
The little girl we see is me

When left alone like this, she’s free
A rolling swash line by her side
She doesn’t know yet who she’ll be

Unhindered, still, by some degree
She tugs her strap up, does not hide
The little girl we see is me

Just strolling with Calliope –
already I’m amazement’s bride!
I don’t know yet just who I’ll be
This little girl we see me

 

Read the others here:
Laura
Sara
Tricia
Mary Lee
Tanita

Poetry Friday is at My Juicy Little Universe this week!

And if you’d like to write with us in May, we’re writing Golden Shovel poems, using a line (any line) from Elizabeth Bishop’s Letter to NY. Join us?