This month, we had the pleasure of writing “In the style of…” Valerie Worth. A spare, careful, tender observer of things, Valerie Worth may have been best known for her Small Poems (and all the subsequent collections of small poems that followed!)

I find this kind of work hugely satisfying to read and to write (and, I know, the hugely reads a bit ironic since we’re talking about very, very spare work.) I so love zooming in and attending to something — anything — with a focus so particular it pretty much is the same as love.

As always, our larger thematic focus for the year is transformation, and I have been looking through a slightly more scientific lens, too, using a scientific term or process to further describe or define what’s happening in each of my poems. (Although I’ve admittedly been a little more loosey goosey around that than I intended to be.)

Anyway, here are two of the handful of poems I tried this week.

Flour Scoop
(solder/a verb)

at once edgy
and old
fashioned

Book Mark
(cleave/a verb)

A dog-eared page
creased like a collar,
like a paper crane,
waits for the end
of the day to come
undone, to fly open
and let loose
all the stories

For other Worth-inspired poems, go here:
Mary Lee
Tanita
Tricia
Sara
Kelly
Laura

And enjoy Poetry Friday hosted by Ruth at There is no such thing as a God-forsaken town.

In December, we’re closing out the year with a funny little thing called an Elfchen! Give it a go with us! And in the meantime, stay safe and well…

Our poetry assignment this month was tricky — a poetic game of sorts called a Bouts-Rimés. Each of us contributed not just rhyming words, but purposefully incongruent ones, and we were then asked to write sonnets using those very words as the end rhymes.

Our list of words included:
profuse/abtruse
chartreuse/truce
incline/shine
resign/supine
various/gregarious
hilarious/precarious
ceasefire/quagmire
higher/dryer
transform/barnstorm
uniform/conform
humility/futility
nobility, tranquility
perturb/superb
reverb/disturb

And I chose to write a Shakespearean sonnet, which required me to pluck 2 words from every set of four. (Plus, as a reminder, our overall topic this year is transformation and my own personal challenge has been to focus on a scientific process each time. There are several in this poem, most obviously waxing, waning and rising.) Anyway, here goes…

The Moon and the Rising Sea 

A drama queen, a harlequin abstruse.
Look here, she’s dark, and then she takes a shine
to you, her focus full, her face chartreuse.
You’re helpless at her feet and you resign

yourself, become – like her! – gregarious,
till sailors weep, beg for a ceasefire,
till shores erode, become precarious.
You carry on, rising ever higher

beyond her ruling reach, your role transforms.
Now we reflect her new futility —
we push you back and hope that you’ll conform,
we beg the gods for some tranquility.

Who broke what worked, who stirred, perturbed
the peace? It’s us, our voices, waves, reverb.

Read the others here:
Sara
Tricia
Mary Lee
Tanita
Kelly
Laura

And dig into Poetry Friday at The Apples in my Orchard!

Finally, we invite you to join us next month as we write “In the Style of…” Valerie Worth — what fun! Be well, all. That’s not easy right now but I wish it for you all.

This month’s challenge was the diminishing verse or pruning poem. They’re very short, quite challenging and, to my mind, a little forced or awkward. But! Who are we to back down from a challenge?

So, here’s the deal — there’s no real rule except that the end word of each line is a shorter variation on the initial end word. Start with a longer blend and take away a letter (or a sound) each time. You’ll see what I mean…

Now, these poems very clearly fulfill our larger 2023 theme of transformation, just by the very nature of the pruning and diminishing. I tried to use transformation in my subject matter, too, since each poem focuses on the pivotal moments of change in a fairy tale. As for my more particular goal to write about a scientific process each time, I think for this month we’ll call it pruning and be satisfied, yes?

Here goes!

Frog Prince in the Lily Pond
Each ribbit rose, was swallowed
Instead he brooded, wallowed
Until the princess wooed, allowed

Sleeping Beauty Discovered
Young beauty concealed by the bramble
Brave prince set out on a ramble
Resulting in happily ever amble

To read more diminishing verse:
Here’s Tanita
Here’s Mary Lee
Here’s Tricia
Here’s Kelly
Here’s Laura
Here’s Sara

And thanks to the wonderful Jama for hosting Poetry Friday this week at Alphabet Soup!

Oh, and hey… interested in joining our challenge next month? We’ll be writing bouts rhymes, a form in which the poet starts with the rhyming end words first, and then fills in the rest of the poem around those rhymes. Ha! Have at it, everyone!

Sometimes we really like to out-do ourselves. This month, for example, we decided to do an exquisite corpse poem — a collaboration wherein each person adds a line without seeing anything more than the line immediately preceding it! It’s a throw-caution-to-the-wind kind of activity. We’ve done one before. It’s fun. Why not?

THEN we thought we’d add — along with our own, brand new lines — some of Linda Mitchell’s incredible (beautiful) (whimsical) (poetic) (non-clunky) clunkers from the past few years! Why not?

And THEN we got together over zoom, shared the complete draft, and gave each other permission to do with it what we may — cut, rearrange, add to, edit.

It should be noted that all of this fit perfectly into our 2023 theme of transformation — each line inspiring the next and transforming the previous ones, and then each of us transforming the shared draft into something all our own. And as for my additional challenge — focusing on a singular scientific process — well, I’m using Refraction this time around because it’s about light and sound and perspective and changing direction.

So, oof. That’s what we did, process-wise. Now here is the kind of remarkable complete draft we came up with first, each of us unawares of everything but the previous line and clunker. (And I say remarkable because, honestly, it kind of holds together, don’t you think?)

Tanita: They say the mind is garden-like, with thoughts as sprouting seeds
CLUNKER: but I’m left holding cuttings I’m not sure where to plant
Sara: Weedy-thick, the prickly buds of odd logic bloom:
CLUNKER: You don’t cry anymore, but you sing all the words.
Liz: Each line in a different language as the light shifts,
CLUNKER: trees turned so orange the road looked blue.
Mary Lee: Words tangle, colors muddy in the palette.
CLUNKER: I am no longer winsome to the sun.
CLUNKER: a whole sun’s rise to share
Tricia: there goes the one that got away
CLUNKER: found a bit of sunflower
Laura: and plucked every petal (by the way, he loves me)
Kelly: and then I remembered
CLUNKER: that’s what you wrote about the green beans
Tanita: Stockpile, then, that snap and sass to sweeten your September.

And here’s what I did with it. It will come as no surprise to anyone who knows me or my work that my primary activity was trimming and boiling down. The poem, not the beans…

Refraction, This Morning

my mind goes garden-like
and weedy-thick,
buds of odd logic
bloom

Then I remember
what you said
and I snap
green beans,
stockpile them
to sweeten
September

By Liz Garton Scanlon

Here are the others so you can see how differently the drafts fared in our various hands:

Tricia
Kelly
Sara
Tanita
Mary Lee
Laura

And you can find lots more to read at the Poetry Friday post at Teacher Dance!

FYI, next month we’re trying Diminishing Verse, and you’re welcome to join us!!

This month’s prompt was to write a monotetra — a form made up of rhymed and metrical quatrains, and closing with a line of two identical phrases. (I cheated on that last part slightly. I love formal constraints and I also love cheating. Sorry.)

Also, our overarching theme this year is TRANSFORMATION and I made the additional promise to look at a particular scientific process each time! Oy.

Anyway, I spent a month in the midwest this summer, with family, at a lakey, cottagey place I’ve gone to since I was a child. A lakey, cottagey place my dad’s gone to since he was a child. This poem came from the funny, lovely luck of that place and those people… and although it’s a bit of a stretch, scientifically speaking, I’m calling the process this month STABILITY.

Stability: A Monotetra
Liz Garton Scanlon

And like a game of kick the can
my memories run home again –
sunburns and screen doors, old sedans,
a grilled cheese in the frying pan

as sharp as grandma’s lemon drops
or off-the-high dive belly flops
alive again with all the props,
oh please don’t stop, don’t ever stop

Now, read more monotetras here:
From Tanita
From Mary Lee
From Tricia
From Laura
From Sara

And more poems of all sorts and stripes at Poetry Friday, being hosted by Jan at BookSeedStudio!

Next month, we’re creating an Exquisite Corpse poem. These collaborative poems necessarily involve yourself and at least one other poet, passing lines or stanzas forward, so now’s the time to choose poetry compatriots. Are you in? Good! The Poetry Sisters are continuing with our 2023 theme of TRANSFORMATION – and we’re going to also sneak in a few of Linda Mitchell’s clunkers to give us more to play with. If you’re still game, you have a month to craft your creation and share it on August 25th in a post and/or on social media with the tag #PoetryPals.

The end of June snuck up on me but I was able to quick find my way into an etheree based on a quote. (That was this month’s agreed-upon prompt — to write from a quote.) Mine’s from Sarah Polley, whose book Run Towards the Danger I absolutely adored and highly recommend. Here goes:

“I hate stories in which people can’t get to where they’re going.” – Sarah Polley

Seeds
planted
should take root,
guns must go off,
and each rabbit hole
best lead to a warren
of reason, not red herrings.
Folks should get to where they’re going.
No matter the story, it should lead
to some certain kind of satisfaction.

Irene Latham is hosting Poetry Friday and you’ll find links to Laura’s, Tricia’s, Tanita’s and more over there!

Happy July, friends!

As a reminder, this year’s theme is transformation.
Narrowing that down, I’ve been focused on particular scientific processes.
And this month, the prompt is to write a ghazal — a traditional Persian form made up of couplets and both end rhyme and internal rhyme that ends up feeling, to me at least, fussy.
But who am I to argue? Here goes…

ORBIT/orbit/verb
A Ghazal
Liz Garton Scanlon

Oh, it’s you again, is it? Arising all bright full?
All beamy and pulsey, magnetic, exciteful?

Stop mooning, I say to my starstrucky self,
because even a sliver is plenty delightful.

To read more, go here:
Laura
Tanita
Mary Lee
Kelly
Tricia
Sara

And Patricia at Reverie is hosting Poetry Friday! Enjoy!

I’ve been thinking lately about the cyclical nature of things (days, seasons, birthdays, wheels, traditions (like our April haiku), the endlessly reiterative process of revision) and, also, about the inevitability of change.

For me, rotation — pivoting around an axis, always returning to the original orientation and yet, not quite the same — is the perfect image for the intersection of these ideas. And there’s an extra nice echo to it today, this last day of April, this last day of poeming together.

Keep on rolling, friends, and I’ll see you back here next spring. Same-same, but different.

Rotation
Haiku 30

Return to yourself:
what goes around comes back changed
but the center holds

#lizsharespoems
#30daysofhaiku
#nationalpoetrymonth

We’re in New York City for a very rainy spring weekend.
It’s okay. I love it in all kinds of weather…

Purification
Haiku 29

Walk the wet city
with petrichor in our veins,
each step a fresh start

#lizsharespoems
#30daysofhaiku
#NationalPoetryMonth

It’s the last day of my scientific procedures week, friends.
And nearly the end of April (weep).
Gosh, it’s been fun again, huh?

Interpretation
Haiku 28

Me being alive
basing everything I do
on muddled data

#lizsharespoems
#30daysofhaiku
#nationalpoetrymonth